In my photography I relate body and nature to each other. I increasingly deal with artefacts, rituals, memories, imaginary constructs and the environment. Circuits, protective mechanisms, human rawness and the significance of places play a central role.
Through planning and staging, the images are meant to be both abstruse and otherworldly as well as authentic. In order to expand the concept of photography, I experiment with various analogue techniques, post-colouring methods and alternative and alternative as well as installative presentation possibilities. I often combine other media, such as painting and sculpture with my photographs in order to take away their reference to reality and and instead place them in my own imaginary cosmos and context.